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Suno Gen
Tatjana Djomina

Tatjana Djomina

Публичный профиль
Треки
19
Прослушивания
111
Лайки
11
Комментарии
0

Новые треки

Публичная дискография автора по дате публикации.

Кофе, Плед и Дождь
4:36
pop · Warm mid‑tempo R&B-pop with Russian pop sensibility; soft electric piano and muted guitar over a cozy · round bass; male vocals intimate in the verses · opening in the chorus with stacked harmonies; light percussion and finger snaps · subtle rain foley; gentle bridge that strips back to vocal and pads
远远的你
3:13
pop · Glossy Mandopop ballad with a subtle K-pop shimmer; midtempo groove with soft synth pads · bright piano · and warm programmed drums. Verses stay intimate and hushed · pre-chorus brings rising strings and echoing ad-libs; chorus blooms with stacked female vocals
远远的你
3:08
pop · Glossy Mandopop ballad with a subtle K-pop shimmer; midtempo groove with soft synth pads · bright piano · and warm programmed drums. Verses stay intimate and hushed · pre-chorus brings rising strings and echoing ad-libs; chorus blooms with stacked female vocals
Ты далеко
3:11
pop · Warm Russian pop ballad with male vocals · gentle acoustic guitar and soft synth pads; verses intimate and hushed · pre-chorus builds with subtle toms and vocal stacks · chorus opens wide with bright keys and emotional top-line
Ты далеко (v.2)
3:06
pop · Warm Russian pop ballad with male vocals · gentle acoustic guitar and soft synth pads; verses intimate and hushed · pre-chorus builds with subtle toms and vocal stacks · chorus opens wide with bright keys and emotional top-line
Моя девочка
4:27
pop · Warm Russian pop ballad with female vocals · gentle acoustic guitar and soft piano under glossy mid‑tempo drums · subtle synth pads and airy bells. First verse intimate and close-mic’d · chorus widens with stacked harmonies and a lifting bass. Second verse adds light percussion flickers; bridge strips to piano and vocal before a final
Моя девочка (v.2)
4:28
pop · Warm Russian pop ballad with female vocals · gentle acoustic guitar and soft piano under glossy mid‑tempo drums · subtle synth pads and airy bells. First verse intimate and close-mic’d · chorus widens with stacked harmonies and a lifting bass. Second verse adds light percussion flickers; bridge strips to piano and vocal before a final

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